parade and gift auction raises money for the school Midland

The Association of Parents of School Midland hosts the title in 2012 Thursday, 8 November, 6-10 clock at the Bridgewater Marriott. Discount Prada Bags The Association of Parents of the Midland School - an educational non-profit for children with intellectual disabilities - hosts the largest fundraiser of the year fashion show and gift auction sale, Thursday, 8 November, 6-10 clock at the Bridgewater Marriott. The theme this year is the 2012 Midland Track and many students is to model. In addition to the fashion show, guests will enjoy an elegant dinner, an auction basket with about 100 baskets. 50/50 and raffles for a seven-day trip to the Hotel Mediterraneo Sorrento, and a 46 "TV and play blu-ray Price is $ 50 per person and the money will finance activities during year, including after-school program in Midland, dances, prom, holiday boutique and family picnics. To purchase tickets or for more information Founded in 1960, Midland School is located in North Branch, dedicated to a national, non-profit comprehensive school special education, with the individual, social, emotional, academic and vocational learning disability children. The school currently serves 184 students ages 5 to 21 of the 13 counties in New Jersey.

Fashion chain 'priced out' of Cumbrian town centre

The comments come after ladies fashion outlet Snob UK withdrew from the negotiations in the unit autonomy former Washington Square right claims they move had "messed around" and "overpriced for the market." Prada Messenger Bags A company is installing the unit Risman to pay fees of ￡ 1,051 place per year plus VAT, ￡ 65,000 per year in rent and rates set by the central government of ￡ 21,755. But Dave Fletcher, development manager of the center, described the allegations as "nonsense". He said developers Riddell was "flexible" when it was added in the rent that Washington Square development has a "98 percent capacity" with only four empty units. He said: "I know that the center is well done and the buyer are happy with what they got. "Why H & M spend millions of pounds investment if it does not work?" But Julie Messenger, negotiations on behalf of the group, the port has snob UK disagrees. Manager for Debenhams concessions to Washington Square, she explained that the rental and service fees "to high". She added: "Carlisle has the population to participate more and cheaper rents no wonder there are empty shops in Workington improved." His sister, Karen Bailey, Director of the Cheque Centre store on the way Murray added that the developers are trying to raise prices to Washington Square, as if it is a town were apparently not a city. The women also said that it is much cheaper and easier to satisfy in parts of Carlisle. "It may be, if you are not in the lanes," said Fletcher. Mrs. Messenger, start a petition to the city plans to improve believes that the developers could do more to encourage new businesses in Workington and "equal". She also believes that other traders may want to settle in the city have had similar experiences. The sisters had agreed to establish snob Cumbria because the company had made an inventory available when she ran her own business. They also wanted the British snob when moving his successful bid Workington. Mrs. Messenger Dunmail Park was first approached on behalf of the Port Group. However, bosses have had their heart set on Risman places near Costa and next because they thought it was higher than the park to use out-of-town Dunmail. Commercial specialists Fawley Watson Booth offered Snob UK rent of ￡ 12,000 per year, but as a necessary compromise the flexibility to replace the tenant "is to obtain a more attractive offer rental." But Ms Bailey said: "It's not a business for about ￡ 40,000 or $ 50,000 equity realizable in this case, they throw us in four weeks."

The world turns and we turn with it

Palace of Fine Arts, including the Louvre and the Musée ?Hermes Garden Party?d'Orsay, modern art galleries, such as the Palais de Tokyo, and the temples of haute couture Chanel and Louis Vuitton for homegrown funky shops in the Marais district, there is something for each visitor in Paris design enthusiast. Here, even the food and hotels are elegant.

Parisians also famous and meticulous attention to detail.hermes online outlet store? People seem to Paris with simple touches exude style, like a Hermes scarf tied just, perfectly tailored jacket or elegant red-soled Christian Louboutin pumps.

With the rest of the world, the Edge newspaper wondered why a man who has enough money floating around parts to build your own sex cave ?Hermes Jypsiere Bags?bother with this tripe. But not alone. Submit the worst ... celebrity endorsements of products of all time.

The Sybarite’s Survival Guide: Riding Out Hurricane Sandy

Shortly after 13.30 clock on Sunday, interrupted a Windsto? the strong winds, my walk to 57th Street, from East to West burst onto the funnel limited elegant skyscrapered by Louis Vuitton, Tiffany, Bulgari and Bergdorf Goodman. It was not the HIGHEST h e B I've never had to go through -? Amazingly, it was the hurricane SUSPICIOUS m not named attached to almost killed me?. But the explosion was a warning that the much vaunted Hurricane sand on the road was. Governor Andrew Cuomo has signed all? Public transport system after 19 hours because I was in the roads was ordered because I decided to close? Lich come the panic was on the way to accumulate calories in the case where my favorite restaurants had for two to close or three days? s. I speak of the Local Manhattanite in extremis: I live alone, I do not cook and I do not have a fridge at work. If the service restaurants and take-off, I starve. Louis Vuitton Leather Wallets I spent a jumble of europ? European tourists in the place of the all-glass cube Apple Store announced. In their parkas, all shades of blue, black and brown, they looked just like a big e family of seals in the sun. Au? He there was no sun, a condition to impress me, as I serrated a leaf S?, Which put my glasses had picked up after just went fulfilled by a whirlwind, when 5th Avenue 57th Street. Please note a hotel, I wanted to choose ore visitors?. But she spoke in what looked like a Nordic language. Perhaps what sse P? A gem? Igtes climate for them. ? Nally I arrived at the restaurant of my choice in the afternoon, Fred is on the 9th Floor of Barneys. It was very busy, even if only 4/5th full. Not a bad deal for the eve of the catastrophe. Aggie, the mother of the H is this son now staff gave me a hug. She noted (but not quite compliment me) on my rain jacket large enough, which was the color of a taxi in New York City. She said there were other here - "fun people" - who said she wanted to take her last meal here. She said she laughed and said that the end of the world is not until December that say the Mayan prophecies to come. I said he had went somewhere and then start ordering food. I sa? at the bar and asked for spaghetti Fred, a wonderfully soothing combination of asparagus, sun dried tomatoes and pesto. Crisis asparagus is the pasta al dente, almost hypnotic effect fetched. Hassan, the chief bartender future of the city knew what I wanted. I order something else. He said that the staff went home an hour early because the subways and buses shut. Very civil administration to do. But the disorganization of the economy of the city (except outside? Of my eating habits) is heavier. My friend Simpson Wong, who owns the k? Stliche fusion restaurant in Greenwich Village Wong ore? Selected me that he's w cancel? Chentliche Balinese roast pork, because most of his team is a function? Ngig from? Public transport to work to come. I joked that I m ??ready? Re, the 80 Bl cke? Walk from my apartment? the restaurant when they were open, but it was not m for the company? possible. All Starbucks stores in New York were closed until Monday. But my colleague Josh Sanburn, who lives in Brooklyn, reported that the well was rated the restaurant Talde in Park Slope Asian fusion, the customers on Sunday: big two I explained to neon yellow and green ren "Yes, we are open? "and" punch francs Storm: $ 8 "But I can not get there from here .. ? Ter sp ore Selected me a friend at another restaurant to me that executives have fte staff Selected ore they ben term, come on Monday -? When the storm will be even harder. No member of the staff at this restaurant lives in Manhattan, should subways start until Tuesday. I'm happy for Intel: It's never good to be in a restaurant with servers revenge. I'm glad that I have a great s lechon asado to check on my neighborhood Chino Latino restaurant as my back-up for Monday. There is enough salt and fat, as to withstand without cooling for one or two days. Chez Fred, I finished my meal and said Hassan and Aggie are safely home. On the way back to the office, I saw that the seal colony-le-Scandinavians were scattered hopefully safer climes. Bergdorf had wooden planks to protect developed department store display windows. The winds turned the 57th, and I returned to the office to help prepare for the perfect storm TIME

explanation: tion of fashion? Change is easier to do if follow Master

It is always difficult, in the skin of someone else - especially if you B high Gen.? And it's even harder when these shoes were worn for so long and with such bravado from the previous owner. Louis Vuitton Monogram Multicolor Canvas bags This is called, it was a little exchange about the shoes fashion circuit this year:? A number of switches in the industry and the Ver changes, closing of the Lich paid this season, as we return from Jil Sander for his own label in Milan, after eight years of absence, and Hedi Slimane and Raf Simons ready-to-wear for women - for Dior and Yves Saint Laurent, and - beginning in Paris this month. This is the fashionable thing: W while inviolable some companies are unspeakable - holy, too - there is always something new or L rm a little break?. Who, what happens on the catwalks as nothing more k than idle speculation about what happen Nnte follow - what might help to explained Ren, why, w while the rest of us wrapped in warm sweater, the plan all fashion already? their summer wardrobe. But the best way happens when even shoes fit well, as the news of lip service to the old and builds on what preceded. Take Nicolas Ghesquière, including 15 years at Balenciaga, the label saw one of h next around - their innovative ways with fabric and silhouette remember perfectly me of the ingenuity of the founding father of the house of Cristobal, whose original architectural dress was reworked and reinvented by his successor in the style of modern respiratory season after season. The work by Riccardo Tisci at Givenchy in time, for all her attitude and? Sthetischer agitprop, nothing is missing from the elegance of classic Sixties M. Hubert. This season, Simons and Slimane turned to the archives for inspiration: nostalgic bell rock clothes were covered with organza holographic Dior, Yves Saint Laurent w while get Tuxedo and seventies costumes in safari tet and updated by Slimane?. Then entered in those shoes, and the writing of this article is not so much a giant as a fresh redesign, I only wear a little and wiggle my toes in order to find my feet e.

as the director of the Triarchy

Two male models in tight jeans pull a ship invisible to the heart of you. Prada Clutch Bags There is no water in the tent of David Pecaut Square. Knows only a huge screen that is slightly visible, even if all the surfaces is also white in the cavernous studio. A boat horn speakers ricochets. It sounds to sailors. Mass, smiling in a way that would Pavlov, the audience leaning on the white screen. At the other end of the workshop, in a dark place, on the second floor of the cabin is smaller than most walk-in, Sa disc jockey Fleming - now in its eighth year of the world's fashion week MasterCard - teetering on the heels near a MacBook glow. He raises his right arm, extending three fingers. He stresses fa Wrangler to a spectacular one in the countdown, one finger at a time. Three, two, one The pivot point of the models and walk the airstrip to start the show Triarchy. A remix of Lana Del Rey "Blue Jeans" begins to beat. Facilitates the crowd back and looked at every premium denim "look", forgetting that their experiences carefully embroidered EEA. Hours of preparation for the first 20 seconds. A marketing blurb for the show is as follows: ? One leg at a time and never look back. " But if you're on the floor of the cabin, where Fleming and other audio-visual specialists wear helmets look, you will notice a few quirks. The deejay on the studio floor? The bearded man wearing a blue shirt and sliding lever on a mixer? It would be an accessory. He pretends embroidered l music. The real work is in the shade all over. The relationship between the people of fashion and technology tense? As a sound engineer told me tt the day: I worked with Prince and Julio Iglesias. These guys are crazy. But these guys are worse. " Fleming a designer wanted to pull another deejay playlist for this week show. Fleming refused. How designers present their music in a usable format, he says, is surprisingly difficult. ? Nobody knows in the audience, what do we have to get it right sometimes need, "he said. He crawls down a red head, and left the state to prepare for the next show, which begin in less than 30 minutes.

Meeting Ondria Hardin, The Face 15 years of the new Chanel campaign

The veteran model Stella Tennant and newcomers Ondria Hardin: On Tuesday, Karl Lagerfeld announced the stars of the new spring Chanel campaign. It all seemed quite normal. Prada Outlet Online Except that instead of the Hardin-5'10 "tall, with a size of 24 inches and sunkissed blonde hair only 15 years. It has caused controversy last year when she appeared on the track show Marc Jacobs case, open to the CFDA new health initiative astringent, which means that girls should require at least 16 years walking in the parades. Hardin was 14 years old at the time. ? If the parents are willing to LET a show, I have no reason why it is not me who tells them they should be, "Jacobs New York Times said on this subject. Few months later appeared to Hardin Vogue in China the will of Vogue's international health organizations, which has similar age guidelines. Hardin officials at Ford were not available to comment on his actual date of birth, and it is difficult to know whether Chanel knew all the controversy surrounding his age, when they threw. "She does not look 15 ... She looks 18 or 19." Karl Lagerfeld told WWD look mature Hardin yesterday in a little brief announce new? Ing the campaign. And it seems that this hullabaloo about his status as a minor does not show other brands like Miu Miu, Gucci and Valentino, his casting in their latest spring 2013 prevented even. But unlike many models of minors on the track, Hardin American. She was born in 1996 in North Carolina, where she is told Interview magazine? In its own way Fashionable, if you like the cotton fields and grazing horses. "Discovered in 2009, the age of 13, she flew under the radar in the Fall 2011 Prada campaign-wear collection, which gave a glance to right conceived youth. Each season, Prada creates a viral infection of the art and video ads that the brand is on the move. In the fall of 2011, included the Hardin and his colleague Kelly Mittendorf campaign frimousse models (then 17) and Frida Gustavsson (then 18) flirtatious caress legs and buttoned her clothes for camera Steven Meisel. And all this happened six months before Hardin foot on the way Jacobs. It has since been published in major fashion spreads for W, V Magazine and Teen Vogue. Title 19 international Vogue editors met May at guidelines for improving the health of women to establish. The initiative should be protected not only models, but also act as magazines? Ambassadors message body image in good health. " Policy, including the rules on the importance of a model and, even more relevant, the age should be followed by editions of Vogue around the world. But the emergence of Hardin in Vogue China and upcoming appearance in 14 years, because Catharine Garcia Vogue Japan December seem to Trump Securities crusade? Splashy unhealthy on modeling standards. As Robin Givhan The Daily Beast wrote: For the average woman, fashion to a brutal fantasy offer more frustrating. But the mental models for abused women to blame? "

Fashion With U Phillip Lim, Erin Fetherston and Christian Siriano

Call Phillip Lim got his first internship with the fashion brand Katayone Adeli 411th Nicole Richie is a competitive figure skater until the age of 18, while Erin Fetherston chose Cinderella as a princess fairy tale did they design a dress. Prada Outlet California Future fashionistas and learned in the seventh Annual Teen Vogue Fashion University in New York City last Saturday. This year, more than 1,600 candidates for the mode, at the age of 16 to 24 years around the world to the event during the weekend long applied. The 500 students selected lectures and seminars of the elite of the industry, including Vogue creative director Grace Coddington, Olivier Theyskens, and Prabal Gurung. "We want to encourage and inspire them," said Amy Astley, editor of Teen Vogue. "All children, Grace [Coddington] are observed to work in fashion? No, absolutely not. But it is not a waste of time because the message gets through it is to believe in yourself." Girls and boys in their best first day of school outfits in the Millennium Hotel with a smile on their faces and smartphones in hand. She jumped meet Grace Coddington and immediately sent photos of Instagram Phillip Lim dressed in overalls. Most have the opportunity to meet their peers and to distribute resumes and business cards to speakers. Speakeasy caught up with teachers and designer Phillip Lim, Erin Fetherston and Christian Siriano their participation in the event, the advice she gave to discuss young people and their career goals. In the area of ??education Phillip Lim: When I was a student [Lim studied finance before moving into the local economy], I found it very difficult, the value of what I actually do understand. I think in retrospect I would say that education really gave me a safe environment for all at the base station. I think I underestimated the value, and I think a lot of people do, too, these days. Open a Business Erin Fetherston: That would be a dream come true to open a business in Erin Fetherston. It could be a room where. People completely experience the brand, because I know that my creative universe is so rich and it's not just clothes will feel To the rise of Asian designers Phillip Lim: The uniqueness is the reason for such a distinction can be given. It really is a new field to a mixture to be added for some time now. As Yohji [Yamamoto], Issey Miyake and Comme des Gar? Ons in the 70s, the Antwerp Six in the 80s, and John Galliano and Alexander McQueen the 90s almost Asian designers a new kind of fashion created today. Fashion and modern lines Erin Fetherston: I used to have all these hand-cut, hand-painted, hand-dyed to do pieces that were essentially irreplaceable. I want to create something that is unique and beautiful, but also produce. If you are working in some prices, we must reverse. I find it exciting to do something that may make its way in the world. Sewing was amazing and it was the best way to start, but do not show an idea. His ballet-inspired Spring / Summer 2013 Collection Christian Siriano: We have a lot of risks. It's really feminine, girly, really, that's not something that everyone loves. I think I have all the classical dance for 10 minutes and that's what I wanted to do. Can feel very classical ballet and costume-y, but I tried to make it modern.

Mystery of the Hermes Birkin

On the subject of many Hermes handbags great price (apparently) the supply of discount stores around Hong Kong, Hermes has agreed to comment. Well somehow. As I mentioned last week, the Japanese non-own brand Birkin bags allegedly sold for a small fee of HK $ 458,000, would be a price to pay surely a fake bag. So the question was asked about Hermes. Could you tell me how many of these bags every year? And is limited? Back Reply Jessica Chan, Hermes Press Officer and director of advertising. ". Hermes fight against counterfeiting with absolute determination 's House ensures that all bags are authentic bought in his shop, but do not comment on bags from other sources," she said, adding. "FYI Hermes Birkin bag was created in 1984 Merci "added his colleague Chak Wing Media & Advertising Manager, Asia Pacific Hermes noted:" There are no comments on bags from other sources, thank you. "! Hermes Kelly 35CM Handbags I told him that I did not think these were fake, was sold through discount stores, and if true have Hemes Japanese themselves do not want to be that? But it seems that the good people of Hermes does not want to tell us how it's done from Wellington Street in Sheung Shui Tsim Shat Tsui Taikoo Shing and you can buy bugs to be Hermes Birkin ostrich HK $ 338,000 or a black crocodile Birkin Kelly 28 light blue for HK $ 148,000. If they are fake, they must be distinguished from the genuine. And why pay so much when you can get Shenzhen knock-offs for a fraction of the price? That makes no sense, if they are really true. So the question remains, who is the manufacturer of these puzzles pockets overpriced, otherwise Hermes himself? Pocket Money Fund It may not be fashionable to say but good things come in Singapore. The Singapore Straits Times has found a good idea - to rich people to make money in the pockets of hard to donate to pay for their children to the school bus and lunch. Previously, the plan was only for children of primary and secondary, but the reviews social workers have the need to continue emphasizes the support of tertiary education in colleges, universities and technical colleges. Authorities discovered many students continue to struggle to pay for transportation and food. Currently, the beneficiaries will receive S $ 55 per month and $ S 90 primary school to secondary school. Amounting to S $ 1.5 million to 1 January next year entitled associated with more than 1,250 students will receive S $ 120 per month for the basic needs. The fund was established in 2000, and has so far raised S $ 52 million and helped 94,000 cases. The program was expanded includes current and past recipients, brothers and sisters. Given Hong Kong lasts gap between rich and poor, would not this scheme is useful to have here?

Krysten Ritter: 'Prestige' Magazine Fashion Feature!

Krysten Ritter shows off her toned tummy in a pink bikini for the October 2012 issue of Prestige magazine, with Chris Hemsworth on the cover. The 30-year-old actress recently talked about what she works on while she isn’t shooting scenes for the upcoming season of her hit show Don’t Trust the B—- in Apartment 23. PHOTOS: Check out the latest pics of Krysten Ritter “Yeah, I’ve got a pilot at MTV that we just shot, but I’m producing that, I’m working on this new screenplay that’s a little darker then L!fe Happens and then I have a pilot that I wrote with a friend we just sold. It’s all just about development and getting in early. I love developing projects and producing as well, so I do what I can while I’m doing the show and it’s a little tricky in terms of time-management, because it’s all day every day. I do what I can and I’m pretty good at time management,” Krysten shared. Mark your calendars, the second season of Don’t Trust the B—- in Apartment 23 premieres on Tuesday, October 23 on ABC.

CEO Talk | Bruno Pavlovsky, President of Fashion, Chanel

LONDON, United Kingdom — Of all the luxury fashion brands in the world, Chanel is perhaps the most famous, as well as the most secretive. Indeed, even inside the fashion industry, few have heard of its only shareholders, the discreet Wertheimer family, descendents of Pierre Wertheimer, an early business partner of Coco Chanel herself. In contrast, other luxury megabrands like Louis Vuitton, Gucci and Cartier are part of publicly-traded, multi-billion dollar luxury conglomerates — LVMH, PPR and Richemont, respectively — which have high-profile chief executives and principal shareholders who must regularly engage with the investment community, explain their business strategies, appear at industry conferences and attend fashion shows, not to mention publicly report their performance figures. But privately held Chanel is different. Nobody outside the company knows exactly how big the Chanel business is. The fragrance and beauty business alone has been estimated to turn over more than $1 billion a year, powered by the world’s first and most famous modern fragrance, Chanel No. 5. There is also a growing jewellery business and the company’s crown jewel, the ready-to-wear and haute-couture businesses on which the codes of the house are based. All told, Chanel could very well be doing over $3 billion in sales revenue per year. What’s more, Chanel is able to strike a powerful balance between the past and the present — something which eludes many luxury competitors — working with punky, of- the-moment models like Alice Dellal while simultaneously maintaining a timeless, prim and proper image. I sat down with Bruno Pavlovsky who leads Chanel’s global fashion business, in London for the opening of the brand’s Little Black Jacket exhibit, to learn more about the workings of this most successful yet secretive of brands, how it maintains impeccable consistency across all of its activities, and why Chanel still doesn’t sell its fashion online — at least for now. BoF: Chanel has an incredibly rich heritage, but somehow still feels very modern and contemporary. Some luxury brands can be weighed down by their history, while others don’t know how to retain it as they grow. How do you manage this balance? BP: It’s about creativity. And the beginning of creativity is the codes of the brand. These codes are now quite iconic because eight times a year — for two haute couture and six ready-to-wear collections — we ask Mr Lagerfeld and his studio to come up with new interpretations. These incredible creative people, collection after collection, start the story again. Today, Chanel is perhaps one of the most successful business models based on creativity. We let these creative people go to the next step in designing the collection. And, on the other hand, we maximise the impact of the collection at every point of sale. A few weeks ago in Paris we had a collection that was quite energetic. The challenge is to be able, 6 months from now, to recreate that and to keep this same energy and to align all our people — from China, to Brazil, to Canada, etc — on this creative energy. For that, first, we need to support creativity and we need to respect creativity. For me, that’s one of the keys. [Mr Lagerfeld and his studio] give us a lot of good things through the collection and after that it’s about how we play all of these good points, good things, good energies to recreate something special at the boutique level. This is the base of this business model. BoF: But it’s not just about the collection. The show becomes a focal point around which a lot of communication happens: the advertising campaign, the visual merchandising, the store, etc. BP: The show is the starting point for all of our stories — for everything. All of our creative people focus their energy on being able to create this event, from the décor to the music to the collection. The collection is the most important for us because at the end of the day, what you find in the boutique is this product. Once we have the show, we have this energy and the same team is in charge of creating all the tools: the advertising, the visual merchandising, the windows. Because we have the same people working on everything, we can keep this consistency between the show and our communication in every single region. Everything is centralised in the same hands. BoF: You’ve also been acquiring all these small houses, including Lesage, Michel, Lemarié, Desrues and others. How important a part of the strategy has this been in terms of preserving the heritage and special nature of Chanel? BP: Back to the creativity of the product. Back to these eight collections. For that, we need the people who are able to make the product come alive. Karl is sketching and we have some people working around him. They have the ideas. And we have these people who bring the collection to life. We need to get them all around us. If they are not available, if they are based 2000 or 3000 kilometres away, forget it! A collection is a 6 week cycle. To be able to do this development in such a short time, we need to have the people available and ready. Quite often it’s a long partnership, a long relationship. What we have done is to give them the chance to focus on the creative aspect of what they are doing. And, they are not only working for Chanel. They are also working for a lot of other brands. Each of them have a specific role, specific knowledge; they have a specific story, a specific archive. And it’s quite interesting for us to fulfil the studio with all of these competencies. For us, at Chanel, it’s a guarantee that this creativity can continue to exist for the next 50 years. What we have done is to give them the resources to be able to work with new talents and to train people. And now, what I appreciate the most is when you visit all these ateliers you see a lot of young people. So in fact, you can find people. BoF: We’ve been focusing on fashion because you run Chanel’s fashion business. But Chanel is not just about fashion. Chanel is also about fragrance, beauty, jewellery, watches. Across all these product lines, the articulation of the Chanel brand is incredibly consistent. And it’s consistent globally. How do you do it? BP: First, the story of Chanel and its codes is a good starting point for everyone. The last fine jewellery collection, which was based on 1932, is the perfect example of what the codes have been able to bring to the brand. We also try to keep what we call the ‘Chanel angle’ to ensure that we are consistent with the vision that we have of the brand, taking our time to share our vision — and our vision is about fashion and luxury. Luxury is for us to be at the top. And fashion is the way to illustrate creativity. But luxury is true for jewellery, for watches; it’s true for fragrance and beauty — and there is no limit. Every time we do something, we are doing our best because we want to keep this luxury part of Chanel quite alive. [As a company] we are working closely together, so any time we have a project, we share it to ensure that all the projects fit the brand and bring something to the brand. That is key. BoF: Apart from the words luxury and fashion, how would you summarise what the Chanel brand stands for? BP: Creativity, audacity, surprise — a lot of surprise, you want to be surprised about what Chanel is doing. Femininity, we are a very feminine brand. Even if we are very strong in fragrance for men, the idea is more feminine. Agility, I think that you have to be ready to adapt yourself to every situation, because as you know the world is moving very fast, what you see today is not true to tomorrow, so you have to adapt all the time, in every single country. Today what is happening in Japan is not the same as what is happening in China or Europe. So you have to be very consistent with your vision and you have to also be able to adapt this vision to what is happening locally. It’s a kind of mindset — if you are quite open to the specific mood, trend or event that has happened somewhere, I think that you can find a solution. BoF: Speaking of adaptation, I’ve been watching Chanel’s evolution in the digital world. The website, the Chanel News blog, the new Coco Chanel website, one million followers on Twitter, 7 million fans on Facebook. And there’s a lot of digital content being created. How does digital fit in your overall communication strategy? BP: It’s a good example and good illustration of what I explained before. Chanel has to adapt. Five years ago, we were doing one advertising campaign per collection. Now we are doing a lot of different content and are obliged to change our mindset. We are in a new world and everything is moving very fast. I’m talking about Chanel News; I’m talking about our booklet, Chanel 31 Rue Cambon; all these tools. Finding the right way of creating this content took us a while, but now we are asking a lot of people that we respect to give us their vision of the brand. We call them contributors to the brand. They are part of the company, friends of the company, who can create content and give us their vision of the brand. It’s what we are doing on Chanel News, it’s what we are doing on Facebook. The most important thing is that people can talk about the brand. Two years ago we were not able to tweet. Now we tweet more or less every week. But we need have something to say. We do not tweet just to tweet. BoF: One thing that you’re not doing is selling clothing online. In fact, Chanel is one of the few luxury brands that doesn’t sell clothing online. Can you tell me why? BP: We sell a lot of clothes. Our clothes are quite sophisticated and one of our strengths is alterations. To be able to wear Chanel clothes, you need to try them on. You need to be in the fitting room. You need to have a tailor who alters the clothes to fit exactly to your body. I think it’s part of Chanel. It’s more than just our service. It’s part of our differentiation to have ready-to-wear that is perfect for our customers. What we want today — and the way we use digital — is to have more and more people come to the boutique to see the product, to touch the product, but also to try the product. And that, for me, is the most important part. But perhaps two years, three years, five years from now, we will start to sell [clothing] online. We are already selling fragrance and beauty online. BoF: What about accessories? You could easily sell the Chanel 2.55 bag online. That doesn’t need to be altered. BP: Because the focus of the brand is about ready-to-wear, it’s about fashion. We prefer to sell our bags to people who are coming to the boutique. We want to expose our customers to the brand and so we want them to come to the boutique. It’s a strategic choice. It’s a choice to say, ‘Guys, you can see whatever you want on the internet, but we want you to come to the boutique, because we feel that in the boutique we can give you the right understanding of the brand.’ So, yes we could sell handbags on the internet. But my feeling is that it’s not qualitative enough and it’s not the kind of service that we want to give to our customers — at the moment. Now, we have some good ideas of how we can do that in the next five years, but it’s quite huge. I strongly believe in e-service. It’s something we talk about a lot. At the moment we are working on a huge e-service project and next year we will launch a new Chanel.com for fashion which will be an introduction to this e-service; how to link your customers with your boutique. But whatever we do, at the end of the day, our goal is to make people come to the boutique: to touch, see and try on the clothes and be exposed to our accessories. Or we can go to their home. We are doing that as part of our VIP service. We can come to them with the product, but we want the people to be exposed to the collection. We feel it’s one of our key differences. BoF: I have one last question. Chanel is a privately held company and doesn’t have to report quarterly results to shareholders. It feels like having private shareholders enables Chanel to think longer term. What are the differences for a manager working in a fashion business which is privately owned versus a fashion business that has to answer to the stock market? BP: The most important in both cases — and I know what it is like in both situations — is that we are investing in creativity. That’s a decision you can make in a private or public company. After that, there are some obligations that you don’t have when you’re in a private company, it’s true. But at the end of the day, we need to generate the same level of results. Perhaps the results aren’t just about the profit or dividends. Perhaps the results are also about the value of the brand and we have some other indicators which are also quite important to the value of the company. At Chanel, we strongly believe that because we are family-owned and we are [thinking] long-term, we are also able to deliver in the short term. As a manager you have to adapt yourself to every situation. I feel that I have the same pressure, because our shareholders are also quite demanding in terms of the results we have to deliver. But when I say results, these results are not automatically money-driven. They can be image driven or something else. So it’s a question of what kind of shareholders you have and what they want from you and from the company. You have to adapt yourself. You can adapt yourself and your organisation to any kind of situation. CEO Talk is BoF’s forum for in-depth discussions with the fashion industry’s global decision makers, conducted by founder and editor-in-chief Imran Amed

Brad Pitt - Ouch: Brad Pitt Chanel commercial in tatters on Saturday Night Live

Brad Pitt Chanel shopping has advised its fair share of criticism, even though the guy on Saturday Night Live thought it was still sticking up too much space in the trunk last weekend. Of course, the Hollywood star the first man, the women's fragrance that classical view the biggest pile of bias pleasant smell ever grace the small screen to be promoted. In fact, on reflection, it is not even pretentious, it's just Brad Pitt say words that have no meaning. But still have the ads of Taran Killam been parodied in a short two games on Saturday. In the original business, which speaks "Ice Fire Them" star the immortal lines: "This is not a travel all the end of the course and continue Towers in the world and we are happy for him to disappear plans ... But where dreams take over... I go, there you are my happiness, my fate, my happiness "Although the actor SNL play skit, Killam, 30, complained:" I'm sorry, Is there really no script because I thought I was, like, two? for hours, and I'm starting to sound like I insane.You sounds less coherent OK - I can begin to form words "In the final moments. Actor joked: "Is it me, or do I look super homeless what you 'n' roll wanna rock Chanel No. 5 is - Inunderstandable?" Although we can probably tear commercials for weeks (probably), it was Mr. Pitt, who undoubtedly have the last word. Chanel check probably about $ 7 million deleted, as you read this.

the Louis Vuitton Graffiti Artist Retna work is with?

It seems that Louis Vuitton may be the next business day Retna with graffiti. The pictures were taken that. Instagram at Louis Vuitton trunk with a scarf with the artist's work The design of this circuit has been transformed into a showcase for the brand wall of the Miami Design District. Agree? Probably not. If you remember, Louis Vuitton has collaborated with many artists in the past. The list of Stephen Sprouse, Takashi Murakami, Richard Prince, and most recently has with Yayoi Kusama. Thus, the collaboration with Retna is not surprising. No word yet official LV, but we will keep you posted as more news is available.

LVMH face the dilemma of success

In July this year, Louis Vuitton opened its first home in China - a business statement that will impress. It was started by a lavish party attended by celebrities including French actor Alain Delon and Bernard Arnault, head of LVMH, the luxury group that owns the trademark Vuitton. The four-storey building in Shanghai - this is a positive metal and glass facade, echo the pattern of monogram mark sign - has "come to a confirmation of the described our market leadership, hopefully for many years." Yves Carcelle, head of Louis Vuitton, as Prada Top Handles Bags But this week, LVMH reported this week, lower than expected organic revenue growth of 6 percent in the three months to end-September compared to the same period last year - has put some questioned whether the spectacular growth of Louis Vuitton in the last 10 years to 15 years can be supported by Jordi Constans, yogurt will take over a former French director maker Danone, Mr. Carcelle at the end of the year. LVMH said exceptionally strong growth last year, making comparisons difficult. He also said that the labels other than the star-brand Vuitton were mainly responsible for the slightly lower sales in the third quarter of its fashion and leather goods. Note, however, analysts believe that other brands - including Hermes, Prada and Bottega Veneta PPR - grew faster. "This is one of the mildest growth that Louis Vuitton has in the past 12 years, we have covered LVMH," said Melanie Flouquet, an analyst at JPMorgan. Commission considers that the organic growth slowed by LVMH fashion and leather goods 5 percent in the third quarter and 1 percent in Asia. The slowdown in Asia is of particular interest, as the region generated 35 percent of group sales last year - making it the largest contributor. LVMH owns more than 60 brands, but it is heavily dependent on high-margin Louis Vuitton, which accounted for 30 percent of group sales last year, according to Mintel, the market research company. The group itself does not break Vuitton figures from the rest of the fashion and leather goods division, which last year generated half of LVMH and profits. Some believe Vuitton slowing organic growth is cyclical in nature, the. The impact of the economic slowdown in China and a few new stores in the country Paul French, chief strategist at Mintel, the Chinese market, said that more Chinese buy luxury outside of China to escape high taxes. LVMH believes it. No question of growth "We came years of double-digit growth for years, including in the first nine months of this year," a spokesman said, referring to the 16 percent recorded growth of fashion and leather goods. "Louis Vuitton has the potential to continue to grow because of the prospect of the emerging markets." But others think Louis Vuitton can provide structural problems related to their size - the total turnover last year 6500000000 € - and his brand. "Louis Vuitton is one of the most powerful brands in China, but it is the question of how to grow further difficulties due to its size," says Jean-Baptiste Danet, CEO of Dragon Rouge, a brand consulting firm. Mr French said: "Although Louis Vuitton has long been the word luxury reigned in China, it is now Chanel, Lancôme and Gucci are the most popular brands in general." Distinctive Louis Vuitton logo - often copied - could also be a disadvantage for the consumer can be more challenging. "This is a problem for many brands, the product range is very focused on the logo," Claudia D'Arpizio, the board said responsible luxury bath. "Bain sees a trend to more sophisticated consumers in China, especially consumers in Tier One cities and consumers who traveled extensively. Logos visible still a place for buyers who are only in the luxury consumer." The launch of the new store in Shanghai is part of a strategy project exclusively for high-end customers. "Revive The new high-end super luxury flagship store new and reinterest consumers and not Shanghai blunted by invitation only soils and extremely expensive bags with rare skins," says French. "So in reality, the brand brown and gold LV bags become a hallmark of diffusion for the plaintiff and striking blingy and the first generation, while the super-rich are super-expensive Louis Vuitton." Antoine Belge, an analyst at HSBC Bank, which downgraded recently to neutral from overweight LVMH said: "The big question for the future of the new providers is on the Chinese market for luxury goods, choose a Louis Vuitton bag as his first to be as more to do for that day, or another brand? "

The famous director Karl Lagerfeld brings entertainment in Edinburgh

Louis Vuitton may fallen in love with Edinburgh, but Karl Lagerfeld is certainly a fan. Fashionistas in the capital were drooling at the thought of Lagerfeld, artistic director of the legendary French design house Chanel by. Its star cast Métiers d'Art show in town Chanel 2.55 The show - previously held in the heights of style in Paris, Tokyo, New York, Shanghai and London - is expected to see a number of A who's who of fashion, film and entertainment down at the city for a celebration of the latest creations from the studio of Chanel avant-garde design created. Previous shows French actress Vanessa Paradis, right, the former wife of Johnny Depp and German actress Diane Kruger, seen on the far right, the fair visit magnificent, but the organizers are remaining tight-lipped about the Edinburgh celebrity guest list. The location of the 4th December event is also in the dark, but fashion insiders revealed that it will probably take place at a castle near the capital. Patterns Historic Scotland have not been able to confirm that their properties host the meeting. News that Edinburgh hosts Crafts comes just days after it was reported in the capital, had been removed Louis Vuitton global style guide last. But designers and retailers, today hailed the selection as evidence of influence in the world's fashion capital. Anna Freemantle, a Dutch-born supermodel, the city is alive and organized the Edinburgh International Fashion Festival, said: "This is no surprise to me that this event occurs - that is a surprise is that something like this does not come forward. "Whenever I bring designers and buyers from the city, they are so impressed by its beauty and it's something that works well with a fashion event." Mrs. Freemantle called on citizens not to much in the kidnapping of Edinburgh read from the Style Guide and Vuitton said the Metiers d'Art hosting could be the first of many major fashion events occur. She said: "The people here seem to think we can not handle something as large as in the world of fashion, but this show could be the start to be of something - it could create a snowball effect if the city is a good example. this case so I think there will be many that will follow. " Paula Reed, director of fashion retailer Harvey Nichols Group, which has a large flagship store on St Andrew Square, said the arrival of the Tour Chanel witnessed the prominence of the city as a center of international mode. She said. "The Chanel brand is very, very concerned to protect their heritage, but what is also important that the design of contemporary and modern at the same time, Karl is a modernist excited." Karina Baldorf, owner of fashion boutique cocoa K, said: "This is an incredible opportunity for Edinburgh for such a high profile event to be elected There is a lot of great work in progress - with shops in the city, the festival of fashion and places like. Multrees Walk -. This helps to raise the profile of Edinburgh as a city of fashion push " Where will it take place? Speculation mounted is right there, where there are Chanel Metiers d'Art show is. Paula Reed, Harvey Nichols, told the news agency that the event would be a "non-functioning lock" near Edinburgh, pass that "Romance" and "beautiful." One possibility is Dirleton, ruined a fortress-residence for three successive noble families of more than 400 years. Otherwise there Crichton Castle, Midlothian, home to the Earl of Bothwell, was and is a beautiful 16th Century facade court. Another competitor is Tantallon Castle, atop cliffs on the Firth of Forth and the seat of the Earls of Angus Douglas, one of the most powerful noble families in Scotland.

Luxury goods sales "on the rise" in South Africa

For the next five years, South Africa luxury market is expected to grow 20% -30%, international consulting firm Bain & Company said this week, an indication of the strong demand for high-end trappings in most largest economy in Africa . Prada Top Handles Bags Prediction supports recent statements Jeanine van Zyl, director of equity research at Old Mutual Retail Equities, which means that people who have jobs have managed to climb the ladder by the wealth of several major trends, says as wage increases above inflation and higher income jobs. By Paris-based Luxury Bathroom Study market in the world, the total sales of luxury goods in South Africa is expected to reach € 8 million this year. Interestingly enough, the Bain report, which was prepared in cooperation with the Italian luxury goods association Altagamma that tourists now account for 40% of global luxury spending. Earlier this year, Euro Monitor International, said a series of recent discoveries of oil and gas in Africa - and the likelihood of more to come - could get rich quick spawning a new generation of high net worth individuals. Outside of South Africa's rich African professionals assets have increased in other African countries such as Nigeria, Angola and Ghana also contributed to the increase in sales of luxury goods in South Africa. Conclusions Bath show global sales of luxury goods market increased by 7% in the last three months of this year, which pushed an annual growth of 10% in 2012, and total sales of luxury goods business of around € 212bn. But a mixed bag of updates to recent sales of high-end players hinted at the beginning of the end of the boom in luxury while the debt crisis in Europe and a slowdown in China finally catch the rich. This week, LVMH said the group behind brands such as Louis Vuitton, Fendi and Veuve Clicquot, organic sales growth in the third quarter by 6% -. Representing growth of 15% over the same period compared with last year According to Claudia D'Arpizio, Bain partner in Milan and lead author of the study, are concerned about the weakness of the market "a bit exaggerated". Richemont, known for its Cartier and Montblanc known brands, said sales in September rose 23% in real exchange rates and 13% at constant exchange rates increased by tourists for the five months ended 31 August. The weakening of the euro against the U.S. dollar, in particular, has had a positive effect on the sales of the Group. "Foundations for growth remain strong, but it will be a bumpy ride. Strategies to win in the sense of the past, brands are just not with the segments that connect the most in the second half of the decade role," said Ms. D' Arpizio.

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Attention Shoppers | Elmgreen & Dragset at Louis Vuitton

The Scandinavian artists Michael Elmgreen and Ingar Dragset take fun very seriously. Earlier this year, with the help of Louis Vuitton, the duo Fourth Plinth Trafalgar Square honored with an equestrian statue irrepressible cheeky, "figure 101, that" the historical reference paired with a dry wit and immediate. Now in their next collaboration, the house, the artist completed the Prada Shoulder Bags LV central London home with a collection of new works, the most important - is crowned by a large bed and decorated with a golden vulture on one of the posts - is inspired by taboos office. Which is the ultimate faux pas in the labor market? Asleep, suggest the artist, that's exactly what Louis Vuitton employee 1st to December will be encouraged, while renowned actors and models reading bedtime stories by Elmgreen & Dragset playlist-curator of the exhibition. Elsewhere in the store, a rocking horse is set on a large scale (similar in design to the Commission Trafalgar Square) guests at the entrance to a nest of golden eggs tied carefully on a shelf, as if he had slipped, and secure newly installed wall is playful sticks of dynamite. Who knew shopping could be such an explosion?

Milan revisited : Milan Fashion Week : Spring/Summer 2013

While leaving behind the past season’s baroque splendour and its aristocratic hauteur, for next spring, Dolce & Gabbana humorously reinterpreted the Sicilian ‘minuto popolo’s’ traditions. Domenico and Stefano praised Sicily's rich nature: wicker, raffia, hemp, jute, silk and flax for linen, all 'environmentally friendly' plants, incidentally, which have favoured the birth of numerous Italian textile crafts. These coarse, durable and affordable fabrics speak for the Italian countryside’s simple, hardworking way of life. A jute dress, shaped like a wheat sack, boasted Taormina products, all ‘fatto a mano’, handmade. In other words, what would dressmaking be, if not a handicraft? However, preciousness as we know it took the form of silk printed dresses which proudly featured the thousand-year-old tradition of Caltagirone themed and coloured ceramics. Mediterranean blue, sage green, yellow and terracotta, typical Sicilian colours, witnessed the island’s overwhelming beauty. Meanwhile, prints depicted Sicilian Puppet Theatre and painting scenes, usually Norman Knights fighting off Saracens. Impressive earrings, among other accessories, reproduced the ceramic heads of Presepi, these traditional nativity scenes. A fabulous feast for the eyes, this multifaceted collection certainly elevates fashion to the challenging and meaningful art that we look up to. Donatella Versace’s sumptuous collection was equally a feat of skill, as she proved to be the spearhead of luxury ‘à l’italienne’. Amazing long ‘armoured action girl’ lambskin jackets were paired with delicate lingerie cut-out edges in an interplay of see-through v.s. opaque or tough v.s. soft. Tie and dye silk dresses, buttoned shirts and low-waist belts added a slight 70’s air, while the amazon-style ankle wrap-arounds added to the overall warrior charm. Aquilano Rimondi’s joyful and young-spirited collection seemed to pay tribute to the Commedia dell’arte and its characters: Arlecchino, Pedrolino and Columbina. Colours were bright, deck of card tones, while a juxtaposition of contrasting joker checked and striped motifs were printed on circus-inspired acrobats’ and dancers ’ short dresses. In a very different style, Bottega Veneta’s Tomas Maier showed a very beautiful 40’s retro-influenced collection: elegant knee length light fitted dresses with vintage flower prints and tight waists. Particularly flattering on romantic physiques. Veronica Etro remained faithful to the ‘World Fashion’ influences that her brand is best known for. This season, it was mostly Japan and China’s stylized flowery motifs, but in new tones, apricot, deep orange, while some outfits were evidently more ‘Technicolor’ style. Etro revived the house’s typical flower print with a much more lively, pixelated palette for a modern updated version of the house’s legendary codes. Antonio Marras’s collection was Asia-influenced, as usual, but in a much more ‘minute’ style: tiny pastel stylized flowers, quilts or Chinese wallpaper cuts emphasized by black bordering. ‘Manga’ graphic prints brought a new touch of fantasy and grace to Marras’s work. Feel like summer is a time for lovely romantic flower-printed ruffled dresses? Anna Molinari thought so too. For Blugirl, she designed the eternally young ‘princess ’ wardrobe: picnic hats, white lace, ribbons, pink roses, violet orchids and a general taste for pastel hues. In one word: freshness! Moschino’s Rossella Jardini designed a cartoonesque collection for apprentice power girls. Little white and black falsely strict coats and suits, subverted by huge stripes, squares and dots created a mini Miss Peel look with bowling hats and gloves. Half way through, multi-coloured vibrant flowers, vivid stripes, and monochrome outfits in primary colours, gave this young character a newly felt confidence.

Paris holds first ‘Black Fashion Week’

A Senegalese-born French fashion designer realised a long-held ambition when she staged the first ‘Black Fashion Week’ in Paris aimed at bringing African talent to a global audience. Adama Ndiaye launched the event to showcase the best the continent has to offer but dismissed criticism that it excluded others who were not black. “‘Why not a White Fashion Week?’ some have asked. But Paris Fashion Week is already white!” said Ndiaye, who is behind the show’s Adama Paris label and has organised Senegal’s Dakar Fashion Week for the past decade. “We wanted to simply promote beyond African borders designers who are well-known in Africa or in their country but who don’t have access to the global market,” she said, explaining that in Africa fashion was not yet seen as an industry in its own right. Even when designers put together collections, they were often unable to sell them, she said, adding that fashion week was not just an opportunity for designers. “For the models, the majority of them black, it’s also an occasion to get on the catwalk since most of the shows look for more expensive white models — some of whom dropped out of ‘Black Fashion Week’ to do better-paying gigs,” she said. Ndiaye, who held a Black Fashion Week in Prague last year and will take the show to Montreal in November and Brazil’s Salvador de Bahia next March, said the fashion was not only intended for black people. “These designs are not made by blacks for blacks,” she said. Ultra-feminine styles showcased came in a variety of cuts with elements such as puff sleeves and backless dresses. Fabrics ranged from silk and satin to embroidered cotton. Around 15 black designers from Africa or living in France, Haiti or the United States, presented their collections at the chic Pavillon Cambon Capucines in Paris. Visitors to the event, which began on Friday and ended on Saturday, included Senegalese singer and tourism minister Youssou N’Dour.

Louis Vuitton at the Louvre

My love for Louis Vuitton started when I was a little girl. I remember my grandmother wearing his classic monogram bag and even thought she was the perfect beauty. I did not know that the "LV" logo meant at the time, but I instinctively knew that it was something special. If Marc Jacobs took over as creative director of French design house in 1997, I began to dream about the day when I might be able to carry the brand itself. Jacobs reached by artists such as Richard Prince, Takashi Murakami and Yayoi Kusama, more recently, the designers cleverly modernized the LV monogram with any such cooperation again. The beauty Vuitton is that it stays true to the brand's DNA, while innovation and development. Louis Vuitton Outlet Online Louis Vuitton when I was asked to visit their Autumn / Winter 2012 fashion show in Shanghai this summer, I was beside myself. Built when I saw a train draw custom course (fresh from his trip on the way from Paris), with exquisite designs and glamorous Belle Epoque I filled was surprised by the power of the brand. Fast forward four months later and I find myself in another breathtaking place: the Carrousel du Louvre in Paris Vuitton Spring / Summer 2013 show. It's Wednesday morning and to sneak in the back door, I met with servers provides beautiful espresso accessorized with pieces of lemon and eggs topped with caviar miniature. Chanel show as the paparazzi were mobbing star rank, but the tent LV is much more intimate than the palace of air-large. However, Jacobs drew the artist Daniel Buren to his famous book Les Deux Plateaux install arranged in a grid with columns and four escalators dump on a track board white and yellow. I plop down next to Virginia Courtin-Clarins, which is no doubt in my mind one of the most stylish women and common sense in French in Paris. Given that Paris is known for its incredibly chic women, this statement speaks volumes - this girl has style to spare and intelligence. After passing rigorous business school in France Elite, Virginia ("Vivi" to his friends, to his disciples vivicourtin @ Instagram) is anxious to take the family to the beauty brand Clarins. When I asked her what she expected the question, replied: Virginia ". Vuitton shows are always an experience for 10 minutes, you will be transported into a parallel universe!" If escalators starts churning and turbulent beauty Vuitton damier are on the same track two and two, to fight for the eyes to take it all in. I agree with Virginia - a combination of tulle pants with controllers is a clear favorite. When an army of young girls Vuitton pour the stairs at the same time for the grand finale, I see the cohesion and strength of the collection. It's about graphics, solid forms and sensibility 1960. I like the uniformity of the collection, and I am pleased to see particularly low, square-toed satin pumps her way down the catwalk. After the execution during the Paris Fashion Week in heels Vuitton padlock weak that I am a total convert: Goodbye exorbitant pump (for now)! If I catch Virginia with golden hair, after the show, she says: "I am to be totally identified with the collection, I'm still" duet "with my sister, Claire, and we both carry a lot of combinations and long skirts ... I would say that this collection is just perfect! "I could not have said it better. Just perfect. After we finish so many shows this season, I'm glad my month in a fashion show, that feels effortless and unique at the same time am. When I walk from the Louvre, Vuitton handbag hung on my arm, I think of my grandmother classic brown bag monogrammed "LV". Now I have one of my own, suitable to my personality - the all-black design is sleeker, sexier and more modern, but the magic is not gone a little.

Top designer labels abandon Argentina

Global luxury brands designer Argentina abandon. Instead of the severe restrictions on the government business news, leaving empty shelves and showcases elegant look along Capital Avenue Alvear, where tourists flock to a According to the latest fashion Kenzo is the last to leave. The owner of the Japanese label, Louis Vuitton Moet Hennessy, issued a statement on Tuesday Argentina guilt "complex economic context" in his store on 10th To close October. Kenzo government trade restrictions, the spring and summer clothing lines kept import, store employees Christianopol Stella said. Louis Vuitton Outlet Store He joins a long list of luxury brands pulling out of Argentina: Emporio Armani, Yves Saint Laurent, Escada, Calvin Klein Jeans, Polo Ralph Lauren, Louis Vuitton and Cartier. Labels have become collateral damage that the government draws its grip on the Argentine economy with measures to promote domestic production and to acquire more wealth to help the poor. For millions of Argentinians, it can make a big difference: the Louis Vuitton handbags President Cristina Fernandez does like to wear a month's salary for a typical factory worker. But it leaves hundreds of labor and critics say it is a symptom of bigger problems that are stalling the economy. "It's a shame, because Alvear betting like 5th Avenue in New York or the Champs Elysées in Paris," said Constanza Sierra, a consultant with 20 years of brand marketing experience top names in Argentina. "So it hurts the country's image. This is what strikes me most sad," she said. Populist government of Argentina is not the loss of sweat. Answer Tourism Minister Enrique Meyer, there was a "Let Them Eat empanadas" strike against the nation's elite. He suggested that the labels are overrated, and their departure would have minimal impact on the economy in Argentina. "Louis Vuitton is everywhere," said Meyer Radio Mitre last week. "On the other hand, we have brands that increase have," and he cites Argentina labels Cardon (leather jackets, handbags and other clothing), Pampero (Gaucho-style khaki pants and other garments robust), El Noble Repulgue (pies) and Freddo (ice). Most of these brands have little in common with high-end labels escape Argentina exposed imposed by their nature, primarily due to a combination of ever tighter restrictions on the import and currency protect domestic producers. Sierra agrees that purchased products from the brand of a small elite in the country of 40 million, it said. "There are a ton of people who are losing their jobs, not only in stores, but in the advertising and events before satellite which surround the subject. " The fundamental problem is that the currency is overvalued Argentina, Ramiro said Castineira, an economist at Econometrica consultancy in Buenos Aires. At 4.7 pesos per dollar, find it profitable to import goods than to produce domestically, he said. But rather than address them directly to Fernandez bureaucrats work increase import licenses to businesses the value of the cargo movement matches an equal amount of production or investment in Argentina promise. The import controls deliveries to Argentine consumers who spend much or exchange pesos before they lose their value, creating a spiraling inflation and currency trading illegal Castineira said reduced. The black market peso devalued the dollar effective informally in now to 6.2 or more for the dollar - to a drastic reduction in the official rate, but still better than watching the inflation of 25 percent or more per year, destroying savings. In response to the madness of the dollar, the government has created more controls, forcing businesses and individuals to obtain the approval of the tax authorities before buying foreign currency, to transfer money from Argentina. Many companies have managed ways to find to survive in this climate: Christian Lacroix and Izod Lacoste have opened factories in Argentina at the end of goods with imported fabrics and Research in Motion a factory where BlackBerry smartphones are mounted. Other companies found Argentine exports, which have nothing to do with the heart of their business, but also meets the demand fueling domestic production. Designer brands, but stayed because they have to import all their products: Escada fashion are to be expected from its headquarters in Luxembourg, after all, to know and buy Louis Vuitton, that sewn in the province of Argentina, instead of some corner of France Glamour? "Companies that import finished products directly still struggling to put these products to the market," warned Castineira. Argentina should be able to maintain a positive trade balance of $ 10 billion next year because of the high price of soy, but the government should not relax the control of goods which are in the money and the land. Survive, the rich, Sierra said: can afford the decline of Argentina with the means to spend their money on high-end fashion to do what the president has done: travel to New York or Paris to buy latest models. But a sense of gloom has Buenos Aires, Recoleta, where haute couture and luxury hotels have long been Alvear and Callao descended through a European idea. The situation is so dire that even historic, made-in-Argentina resignation institutions. "I must go. We have the point where commercially this company has nothing more to give to reach," said Alberto Vannucci. In December, he wants the business in Callao, where his family has sold hand-sewn leather goods close to the world's best polo players in 127 years. "The economic situation in this country is for tourism good is gone -. Tourists who now come to lunch and dinner, nothing more And that tourism withdraws, they you to discover all food is incredibly expensive, . "Vannucci said.

spilled Milan

SUITE Shane Warne series appearance before the unexpected sight of Roberto Cavalli in Milan, continues the blurring of boundaries between cricket and luxury. This time, the captain of the Australian cricket team, Michael Clarke, has teamed up with Louis Vuitton to create a strain that is so comfortable at the MCG or the Ritz. Chanel Reissue 2.55 "I worked with Louis Vuitton for a while and asked me to make my ideal trunk cricket," said Clarke. "It was nice to be invited to visit the family home in Asnières Vuitton, where his All special orders will be taken." The trunk area has cricket bats, pads, gloves, shoes and cricket helmets. "We are very proud to work with Michael Clarke Commission truly exceptional honors along Louis Vuitton 156 years tradition of craftsmanship and know-how," said Jean-Baptiste Debains, president of Louis Vuitton Asia Pacific. Digital Passport Dollar 1 for the first 28 days The tribe is currently on display at the Louis Vuitton store in Sydney and is on 16 October, with proceeds going to be auctioned off to the Children's Hospital in Sydney. The Guardian The CEO of TAG Heuer, Jean-Christophe Babin, made a brief visit to Sydney to promote Lady shows Link and funds for UN Women Australia, but unlike many of the leading luxury brands, there are many Australian stamp in his passport "I am here very often," said Babin. "Australia is an important market for Tag Heuer. This is certainly a mature market when it comes to buying watches." To develop this market, Babin developed an online store for the Australian market. "You are a big country and not everyone can get to Sydney or Melbourne, the clock to buy," said Babin. "With an online store, we can capture this moment between desire and action. If you miss this time you miss a sale." Sales of Lady link made to a new campaign Hollywood actress Cameron Diaz. "We have a lot of thought into our Ambassador and Cameron is a good fit with the brand," said Babin. "She's at the top of his game and is willing to take risks. It is also very supportive of our work with United Nations." The start of the Sydney Link lady raised $ 10,000 for UN Women Australia. The comeback Try with efforts backstage gossips to create a rivalry between Hedi Slimane at Yves Saint Laurent and Raf Simons for Christian Dior, has turned very little discussion that lead a recovery Schiaparelli. Italian entrepreneur Diego Della Valle, president of Tod's, worked on the the label for three years once estimated relaunch, but the announcement of a creative director is imminent. Chanel muse Ines de la Fressange consulted backstage of the brand, which will launch its first products in February. "Anything that speeds up in recent months," said de la Fressange WWD Paris. Part of the excitement is due to the success of an exhibition of drawings Schiaparelli alongside Prada in New York.

takes good care of us Chanel-loving ladies

Karl Lagerfeld takes good care of us  Chanel Cross Body bags ladies love Chanel. Entrenched While most designers beginning of a new batch of bags four times a year, good old Karl is in his Parisian workshop, to be gloved fingers worked to the bone, a new series of   Chanel Evening Bags ?offer huge six times a year (ok he can also use his training Siamese cat Choupette an iPad, but all work and no play, right?). This season, Karl is a bad spin on the classic look of Chanel lady. His violent new Alice Dellal inspired handbags Boy taking a drive on the classic flap pocket with heavy chains and a square utility, while the usually sober yellow  Chanel Handbags clutch now in all colors of the rainbow current acid and shocking pink. Read on for our list of the 12 best bags in stores now. Do not say Uncle Karl has never done anything for you ...

Alexander McQueen: All Abuzz

Taking inspiration from the Vargas girls and the honey bee, Sarah Burton created a sharp, magical bit of fantasy on Tuesday night for McQueen. Tailored jackets and
some evening dresses had wasp waists, naturally, while pencil skirts came in delicate honeycomb patterns.
Many of the fabrics and embroideries had a spun-sugar lightness, in bee and meadow hues like honey, primrose yellow, and glossy black. As always, the McQueen
workmanship was impressive, but Ms. Burton captivated her audience with the textures and humming society of the queen’s world. The models’ beekeeper hats were
done in black patent leather with lace veils.

Did She Really Pee in Champagne Bucket as Performance Art

After walking between ranks of bare-chested men wearing tight leather pants and shoulder harnesses, you are standing in the lobby of the Guggenheim Museum in
Manhattan, and Lady Gaga is sleeping on a black velvet divan inside a giant perfume bottle set on a stage. French music is playing. Masked people are walking up
onto the stage, sticking their hands through a hole and caressing Lady Gaga’s hand.
No, this is not a surreal dream—it’s a launch event for the fragrance Lady Gaga Fame. For an hour, basically every one of the hundreds at the party is free to
touch her hand as she sleeps.
Prior to this, a short film, part of the campaign, made its debut. Directed by Steven Klein, the movie features Gaga in various positions, like underwater, crab-
walking; lying on her side, naked; wearing black latex; writhing around in black goop; having scantily clad men crawl all over her; and lots and lots of black ooze.
VF Daily caught up with Klein in the crowd, and he explained the film’s premise. “It’s the idea of the pleasures and pain of fame, and the temptation of fame.
What is it like to embark on the journey of fame, and what are the costs of fame?”
The famed fashion photographer also explained Gaga’s Sleeping Beauty performance. “Everybody wants a piece of fame,” he said. “It’s simple. Everybody wants a
piece of fame, so it’s like, in the end, what do they really want? They don’t really know. But unless they touch her, they’re not really satisfied.”
The invitation called for black-tie masquerade. Recommended headwear was “mask, hat, tiara, crown or lobster.” There was a creative display on hand, everything
from a Warhol lookalike, complete with silver wig, to model Jessica Stam in a knockout evening dress.
Some creative types had to scramble to put together a look. “I just put it together very quickly. I didn’t even realize that you had to come dressed up, so I just
pulled stuff out of my cupboard,” Ellen von Unwerth said. Olivier Theyskens wore a mask made from the invitation to the party, with holes poked out for eyes and
nose. “I just did it there, on the side of the street,” Theyskens said. He slapped it onto a pair of eyeglasses.
Marc Jacobs already had the glittering horns he wore on his head. “Stephen Jones did them for me for a spring collection a few years ago,” Jacobs told VF Daily.
Lady Gaga Fame is billed as the first-ever black eau de parfum; it turns clear once it becomes airborne. What does Jacobs make of that? Turning to watch Gaga’s
sleeping-and-being-touched performance for a moment, he turned back to us and said, “Well, you wouldn’t expect her to do something that’s been done before,
really, would you?”
No, indeed, we would not. And, it turned out, that was only phase one of the performance piece.
After Gaga “woke,” she primped in front of a mirror, brushed her hair, touched up her makeup. David Bowie’s “Fame” came on the sound system. She sprayed the
perfume onto her neck. At one point, she crouched for awhile—it was hard to tell exactly what she was doing, but the general consensus was that she peed into a
champagne bucket—and an assistant helped her to dress.
Sitting on the floor of the perfume-bottle space, she and Steven Klein kissed and smoked on an electronic cigarette. She swigged from a bottle of Patrón and changed
into a corset, her bare ass visible to all, projected on the giant screen above the Guggenheim lobby.
Someone started shaving over the recently shaved portion of the back of Gaga’s head, and then he repeatedly dabbed it with paper, eventually revealing a design—an
angel. For the next hour and a quarter, we watched Lady Gaga get a new tattoo on the back of her head.
What would she do next? The answer came at 11 PM, as Guggenheim staffers circulated among partygoers, politely asking them to leave, as the museum was now closed.

Louis Vuitton goes to the Supreme Court on the alleged infringer to take

Luxury fashion brand Louis Vuitton pursues a small Australian company in federal court, claiming that the company, Sonya Valentine selling counterfeit Louis Vuitton goods. The French brand says Sonya Valentine had imported a shipment of counterfeit sunglasses this year, "Louis V" was labeled and sold in the markets. Chanel Shoulder Bags The case arose from complaints MAC Cosmetics "that Target Australia fake MAC Cosmetics products to sell. But in this case, Louis Vuitton takes a much smaller company. Louis Vuitton has filed a declaration of accelerated their claims and the case is the 15th in a planning conference on October registered before Judge Jessup. Richard Hoad, a partner at the law firm Clayton Utz, said SmartCompany counterfeiting has long been a problem for the world's biggest brands and necessary legal action to protect their rights. "The Counterfeiters more individuals or small organizations that are trying to be flying under the radar. But even if there is not much in the game often brand owners to make a point of need," says Hoad. He says that. Brands that have their rights as a violator of intellectual property targeting brands that do not make a fight to protect Hoad said Louis Vuitton might damages, additional consideration of the profits and losses may be to deliver the goods and injunctions. Hoad said Louis Vuitton is unlikely to be fine. "This really is the brake line and sending a message to others not to do the same," he said. Louis Vuitton focus on deterrence instead of running fake compensation from The Australian Financial Review report, the luxury retailer is required by law for reporting under the Australian Consumer and permanent injunctive relief on the sale of Valentine Sonya says stressed suspected counterfeit goods without worrying even for damages or demand compensation. Hoad said that since moving to the most similar cases soon after the proceedings are initiated, tend. Miriam stem, a partner at the law firm Allen says fakes a "constant battle" and brand owners must be vigilant where they can last known counterfeiters. "The problem has increased substantially in recent years, because it as an easy way for people to see is making money illegally, because it is lighter than participation in the drug, and there are fewer penalties," said stem. "There are reports linking imitators involved with organized crime." Stem told the Federal Court recognized the gravity of the offense and severe penalties in the past. "It's very rare that a prison sentence for this type of activity is pronounced, but both the Copyright Act and the Trade Marks Act have imprisonment as possible penalties for the type of activity," she said. Stem said, it may be some relief for owners until April of next year when it will be changes to customs procedures, so get that owners Customs may order goods to use at the entry point, which makes it much more difficult to goods in the country to get in the first place. Louis Vuitton went on SmartCompany comment and could not communicate with Sonya Valentine.