Chanel Couture Fall 2013

       Once Karl Lagerfeld showed his Chanel haute couture collections at the Ritz and historical resonance. Later in different areas of Paris, the pool, dropped out of school, the Tuileries Gardens Eventually, he decided that the staging simple way was not enough (no matter how much clothing), and it would make everyone a show, a world imagined in the mind of Charles, produced under the glass dome of the Grand Palais.

This season, many designers discuss the need for appropriate clothing sew the resonance on the red carpet and in the context of real life, real women. The idea that fashion should can not be immune to life practices to some, but not for new Lagerfeld. He always looked like the kind which, although rooted in tradition, must embrace and implement change. For fall, he approached this faith in the title of his show - "The Old World and the New World" - and used to drive a nail all the customers have an ancient theater, its stone walls. "" Desperate ruin, broken windows, curtain moldy decay hem. Everything seemed in dusty long established, which was in fact succeeded excellently, no less conscious surface texture embroidered tweed thick. ("The seats just look dirty," offered a chic pr "you are not.") Once the public in the form of high low, the curtain opens to reveal a dazzling vista of the city 21 Century, no place in all but one place, "as in the Far East," Lagerfeld said in a preview. 'S old and gray entry under the new and dazzling.

Metaphors are swell, especially visually stunning giant as they fear. But if the clothes do not resist theatricality What bust. Here no luck. After romantic reverie Spring Lagerfeld has hardened a little, his daughters now done with thick eyebrows and hair, to rockabilly, to better show their new photos of two hats horns. And they were carried on the upper side of the linear image layers. On the day the collection was two things - the suit and haunting, fleshy tissue, the remains of remarkable skills of sewing. Although various jackets, they were almost always a short skirt, petticoat slightly worn suede thigh tights - no boots, Lagerfeld, but said, "shoes restocking," held by garters. The constant Accessories: a wide band, which drew attention to the hips. Since these fabrics: ribbons, wool, silk, sequins and embroidery Tweed who dare to flaunt their status while you sew, say, the practice in context. Lagerfeld worked mainly in gray, white and black, sometimes interrupted neutrality shots of pink and green.

Evening, focusing on the hips, but the volume and surface events is sometimes foolish. Not so with a soft skirt dress with a touch of the seventies and the ease of a t-shirt, a striped tulle embroidered complex, in its sole discretion at the time and ultra-Ultra Fresh Chanel look. But then, as Lagerfeld offered to explain how he are so many new ideas like a glove archive worthy "Chanel is an idea, not a reality."